Gillian Ayres


Sense existències ara
Rep-lo a casa en una setmana per Missatger o Eco Enviament*Sobre el libro Gillian Ayres de publicado por Art/books al 2017:
This beautifully produced volume is the definitive monograph on an artist described by contributor Andrew Marr as ‘probably the finest abstract painter alive in Britain’. Now in her late eighties, Gillian Ayres has been celebrated for more than six decades for her use of vibrant colour and bold forms to create exuberant compositions full of movement and energy. Unconventional in life and in work, she has forged her own individual path regardless of fashion or opinion. Not wishing to conform or to be categorized in any way, she has adopted a variety of styles and techniques throughout her career. In the 1950s, she applied oils and household paint with rags and brushes, and by pouring and squirting, in gestural works reminiscent of European tachiste painting and American abstract expressionism. In the 1960s, she created light-filled images in oils or acrylics in keeping with the hedonistic and optimistic mood of that time. In the 1970s, she approached the canvas as an expanse to be filled with an extreme and painterly alloverness. Later in that decade and into the 1980s, she began to use thick and heavy impasto in carefully designed arrangements; and in recent decades, she has developed a distinctive style of simplified organic motifs and areas of flat yet intense colour. Coinciding with a major retrospective exhibition at the National Museum Wales in Cardiff, this book spans her long career, from her student days to the most recent works. It includes all of her major paintings, and a dedicated section on her substantial body of prints. It also features many previously unpublished photographs of the artist in the studio and at home and other ephemeral materials, making the publication the complete word on this acclaimed and original artist’s life and work.El llibre Gillian Ayres de pertany a la matèria
Veure altres ressenyes de Art
Ressenya
Marc Fumaroli
“Mundus muliebris”. Élisabeth Louise Vigée Le Brun, pintora del Antiguo Régimen femenino
Vigée Le Brun era hija de padre pintor y, además, esposa de un marchante de arte, hecho este último que la hacía candidata inaceptable en la Academia de pintura y escultura.

Ressenya
Marta Piñol Lloret
Mitos e imágenes
Las imágenes que nos rodean pueden surgir o pueden adquirir un significado mítico. Imágenes próximas, imágenes místicas, imágenes de empoderamiento, imágenes sobre los principios y los finales, tod...

Ressenya
Sarah Watling
Mañana quizá el futuro
Mañana quizá el futuro nos permite a los lectores de hoy entrever cómo en la historia se da constantemente una lucha por el relato, además de vislumbrar a una generación rebelde dispuesta ...

Ressenya
Joana Masó y Éric Fassin
Elsa von Freytag-Loringhoven. La artista que dio cuerpo a la vanguardia
Alrededor del año 2000, el hallazgo de varios documentos inéditos hizo que la crítica planteara la posibilidad de que la Fontaine (1917), obra firmada por R. Mutt, y generalmente atribuida...
