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Disturbing and vivid meditations on the meanings of objects and sensations, from postmodernity’s quintessential theorist
This third book in the Cool Memories series is culled from Baudrillard´s notebooks in the period when he was composing The Illusion of the End and The Perfect Crime. In it, he resumes his investigation of the meta-metaphysics of objects. Like its predecessors, the book is a work of brief meditations, of poetic musings: in a word, of fragments.
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