Grossé + Bijoux Christian Dior

Grossé + Bijoux Christian Dior

Sense existències ara
Rep-lo a casa en una setmana per Missatger o Eco Enviament*Sobre el libro Grossé + Bijoux Christian Dior de Vivienne Becker publicado por ARNOLDSCHE al 2010:
The jewellery firm Suddeutsche Gold und Haar-Bijourterie, founded in 1907 by Heinrich Henkel and Florentin Grosse, experienced after World War I its first successes with costume jewellery made of bronze, aluminium, wood, bakelite and galalite. In the mid 1920s their first business contacts to the US were established. A decade later they were working together with the fashion labels Lanvin and Schiaparelli in Paris as well as with Harrods in London and Saks in New York. The company was awarded the ´diplome d´honneur´ for their designs in 1937 at the ´Exposition Internationale des Arts et Techniques dans la Vie Moderne´ in Paris. In 1955 Henkel & Grosse started its cooperation with Christian Dior (1905-57) in Paris and were licensed as the sole producers and distributors of Dior jewellery. In connection with its own designs, however, the company always maintained its independence. As of the 1960s they expanded their portfolio to include ´Grosse Bijoux´, ´Grosse Sterling´ and ´Grosse Gold´, with fashion always dictating the design. Brooches, necklaces and ear clips in colourful, fanciful blossom forms to match the petticoat dresses of the time were produced in sets in various price classes for a wide customer base. The enterprise, led by four generations of the Grosse family, had at its zenith over 600 employees and a worldwide distribution. Their products were designed and produced in Pforzheim and in the US, later also in Asia. The Dior and Grosse trademark, which every piece carries, stands for modern design and technical innovation. In 2006 the family withdrew from the business and the firm became part of the Dior group.El llibre Grossé + Bijoux Christian Dior de Vivienne Becker pertany a la matèria
Veure altres ressenyes de Art
Ressenya
Marc Fumaroli
“Mundus muliebris”. Élisabeth Louise Vigée Le Brun, pintora del Antiguo Régimen femenino
Vigée Le Brun era hija de padre pintor y, además, esposa de un marchante de arte, hecho este último que la hacía candidata inaceptable en la Academia de pintura y escultura.

Ressenya
Marta Piñol Lloret
Mitos e imágenes
Las imágenes que nos rodean pueden surgir o pueden adquirir un significado mítico. Imágenes próximas, imágenes místicas, imágenes de empoderamiento, imágenes sobre los principios y los finales, tod...

Ressenya
Sarah Watling
Mañana quizá el futuro
Mañana quizá el futuro nos permite a los lectores de hoy entrever cómo en la historia se da constantemente una lucha por el relato, además de vislumbrar a una generación rebelde dispuesta ...

Ressenya
Joana Masó y Éric Fassin
Elsa von Freytag-Loringhoven. La artista que dio cuerpo a la vanguardia
Alrededor del año 2000, el hallazgo de varios documentos inéditos hizo que la crítica planteara la posibilidad de que la Fontaine (1917), obra firmada por R. Mutt, y generalmente atribuida...
