The Language of Twentieth-Century Art

A conceptual history Iterability, Pictorial Representation and Beyond; The Structrue of Cubism; From Duration to Modernity; Bergson and Italian Futurism; Malevich, Philosophy and Non-Objectivity; Dialectic and Surrealism: From Breton to Pollock; The Dialectic of Abstract-Real in Mondrian; Barnett Newman and the Sublime; Aesthetic Ideas versus Conceptual Art; Simulation and Postmodern Representation; The Postmodern Iterable: Installation and Assemblage Art; Leavin the Twentieth Century: A Future for Art; Conclusion; Notes and Sources; Index of Visual Artworks; General Index