David Smith. 1906- 1965
David Smith. 1906- 1965
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1906-1965. Con fotografías de Ugo Mulas.
Catálogo de la exposición realizada en IVAM, Centre Julio González, Valencia, 18 de enero - 31 de marzo de 1996.
MNCARS, Madrid, 23 de abril - 1 de julio de 1996.
The David Smith (Decatur, United States, 1906-Bennington, United States, 1965) Exhibition at the Museo Nacional Centro de Arte Reina Sofía has been conceived as a chronological review of the work of someone who is considered the most representative sculptor in North American Abstract Expressionism. The dichotomy between America and Europe that begins during the post-war years is highlighted in this collection which brings together forty works by Smith, made between 1933 and 1965. This collection seeks to explain "the nuclei of force that determined the sculptor´s artistic evolution" in the words of Carmen Giménez, curator of the exhibition. The selection concludes with forty photographs by Ugo Mulas, taken at Voltri and Spoleto in the spring-summer of 1962 at his Bolton Landing studio in 1965. These images are a story on Smith´s creation process and illustrate the modern idea of the artist at his studio, based on the principles of planning and collaboration with his assistants.
El catálogo de David Smith, nacido de una extensa retrospectiva, recorre toda la trayectoria vital y creativa del artista. Sus ensayos abordan la renovación de la escultura americana por parte de Smith o su inserción en el linaje de escultores que llevaron la escultura en hierro hacia la modernidad, como Julio González o Picasso. Un amplio apéndice de textos escritos por el artista aproxima al lector a sus procesos de trabajo, su concepción de la renovación de la escultura, su relación con la naturaleza, una serie de preguntas planteadas a estudiantes, o un texto sobre Julio González.
Edición bilingüe castellano/inglés.
Autores/ Authors: Carmen Giménez, Michael Brenson, Francisco Calvo Serraller, David Smith, Ugo Mulas
The David Smith (Decatur, United States, 1906-Bennington, United States, 1965) Exhibition at the Museo Nacional Centro de Arte Reina Sofía has been conceived as a chronological review of the work of someone who is considered the most representative sculptor in North American Abstract Expressionism. The dichotomy between America and Europe that begins during the post-war years is highlighted in this collection which brings together forty works by Smith, made between 1933 and 1965. This collection seeks to explain "the nuclei of force that determined the sculptor´s artistic evolution" in the words of Carmen Giménez, curator of the exhibition. The selection concludes with forty photographs by Ugo Mulas, taken at Voltri and Spoleto in the spring-summer of 1962 at his Bolton Landing studio in 1965. These images are a story on Smith´s creation process and illustrate the modern idea of the artist at his studio, based on the principles of planning and collaboration with his assistants.
El catálogo de David Smith, nacido de una extensa retrospectiva, recorre toda la trayectoria vital y creativa del artista. Sus ensayos abordan la renovación de la escultura americana por parte de Smith o su inserción en el linaje de escultores que llevaron la escultura en hierro hacia la modernidad, como Julio González o Picasso. Un amplio apéndice de textos escritos por el artista aproxima al lector a sus procesos de trabajo, su concepción de la renovación de la escultura, su relación con la naturaleza, una serie de preguntas planteadas a estudiantes, o un texto sobre Julio González.
Edición bilingüe castellano/inglés.
Autores/ Authors: Carmen Giménez, Michael Brenson, Francisco Calvo Serraller, David Smith, Ugo Mulas
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