Women´s contribution to nineteen-century american theatre

Women´s contribution to nineteen-century american theatre
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Post-Revolutinary Notions of Nationhood: Susanna HAswell Rowson´s
Louisa Medina, Uncrowned Queen of Melodrama
Early American Women´s Romantic Tragedies and the Rhetoric of Republicanism: The Case of Charlotte Barnes: A Life in the Theatre.
Margaret Fuller as Theatre Critic.
Anna Cora Mowatt: Forgotten Dramatist and Actress.
Into More Than One Path: Kate Field as Critic, Actress, and Playwright
Nineteenth-Century Women Going Beyond the Gates of the Personal: Elisabeth Stuart Phelps´s
On the Far-Western Scene: Actress- Manager Nellie Boyd and the Nineteenth-Century Frontier
Two Camilles, Matilde Heron and Clara Morris. Anti-Victorians on the Nineteenth-Century Frontier.
Two Camilles, Matilde Heron and Clara Morris: Anti-Victorians on the Nineteenth-Century American Stage
From Private Prostitute to Public New Woman-. The Actress in the Fiction of Rebecca Harding Davis.
If You Love Me, Love Me Alone. The Life of Actress Maude Adadms.
Louisa Medina, Uncrowned Queen of Melodrama
Early American Women´s Romantic Tragedies and the Rhetoric of Republicanism: The Case of Charlotte Barnes: A Life in the Theatre.
Margaret Fuller as Theatre Critic.
Anna Cora Mowatt: Forgotten Dramatist and Actress.
Into More Than One Path: Kate Field as Critic, Actress, and Playwright
Nineteenth-Century Women Going Beyond the Gates of the Personal: Elisabeth Stuart Phelps´s
On the Far-Western Scene: Actress- Manager Nellie Boyd and the Nineteenth-Century Frontier
Two Camilles, Matilde Heron and Clara Morris. Anti-Victorians on the Nineteenth-Century Frontier.
Two Camilles, Matilde Heron and Clara Morris: Anti-Victorians on the Nineteenth-Century American Stage
From Private Prostitute to Public New Woman-. The Actress in the Fiction of Rebecca Harding Davis.
If You Love Me, Love Me Alone. The Life of Actress Maude Adadms.