Still Looking

Still Looking
35,65 €

ENVIAMENT GRATUÏT*
Sense existències ara
Rep-lo a casa en 2 / 3 dies per Missatger o Eco Enviament*
When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he has continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this richly illustrated book, eighteen that deal with American art.
After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he has continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this richly illustrated book, eighteen that deal with American art.
After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he has continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this richly illustrated book, eighteen that deal with American art.
After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume.
Acknowledgments Introduction: An Oil on Canvas The American Face [Portraits] Nature His Only Instructor [John Singleton Copley] “O Beautiful for Spacious Skies” [Nineteenth-Century Landscapes] Heade Storms [Martin Johnson Heade] Epic Homer [Winslow Homer] The Ache in Eakins [Thomas Eakins] Whistler in the Dark [James McNeill Whistler] “Better Than Nature” [Albert Pinkham Ryder] Walls That Talk too Much [Impressionists and Realists] Street Arab [Childe Hassam] Evangel of the Lens [Alfred Stieglitz] “A Lone Left Thing” [Marsden Hartley] O Pioneer! [Arthur Dove] Two Takes on Hopper [Edward Hopper] Logic Is Beautiful [Elie Nadelman] Jackson Whole [Jackson Pollock] Iconic Andy [Andy Warhol] Index
Acknowledgments Introduction: An Oil on Canvas The American Face [Portraits] Nature His Only Instructor [John Singleton Copley] “O Beautiful for Spacious Skies” [Nineteenth-Century Landscapes] Heade Storms [Martin Johnson Heade] Epic Homer [Winslow Homer] The Ache in Eakins [Thomas Eakins] Whistler in the Dark [James McNeill Whistler] “Better Than Nature” [Albert Pinkham Ryder] Walls That Talk too Much [Impressionists and Realists] Street Arab [Childe Hassam] Evangel of the Lens [Alfred Stieglitz] “A Lone Left Thing” [Marsden Hartley] O Pioneer! [Arthur Dove] Two Takes on Hopper [Edward Hopper] Logic Is Beautiful [Elie Nadelman] Jackson Whole [Jackson Pollock] Iconic Andy [Andy Warhol] Index