The visual turn. Classical film theory and art history

Introduction: Unexplored connections in the new theory
THE MAPPING OF PERCEPTION
The work of art on the age of mechanical reproduction (excerpt), Walter Benjamin
The magician and the surgeon:film and painting, Patrice Rollet
VISUAL FORM
Linear and painterly, Heinrich Wölfflin
Montage- The American school and the soviet school, Gilles Deleuze
ICONOGRAPHY AND ICONOLOGY
Style and medium in the motion pictures, Erwin Panofsky
Iconology at the movies: Panofsky´s film theory, Thomas Y. Levin
ICONOPHOBIA AND ICONOPHILIA
The close-up and the face of man, Béla Balázs
Tha face in close-up, Jacques Aumont
MODERISMS AND SUBJECTIVITIES
Painting and film, Rudolf Arnheim
Middlebrow modernism: Rudolf Arnheim at the crossroada of film theory and the psicology of art, Ara H. Merjian
THE EXPLODING IMAGE
El Greco, Sergei Eisenstein
The uncrossable treshold: the relation of painting and cinema in eisentein, Pietro Montani
THE THINKING IMAGE
Painting and cinema, André Bazin
Representating, illusion, and the cinema, Richard Allen.