The View From The Train: Cities And Other Landscapes

The View From The Train: Cities And Other Landscapes
Sense existències ara
Rep-lo a casa en 2 / 3 dies per Missatger o Eco Enviament*Sobre el libro The View From The Train: Cities And Other Landscapes de Patrick Keiller publicado por Verso al 2013:
Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future."In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development – from surrealism to post-2008 economic catastrophe – and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain.
Altres llibres de Patrick Keiller
El llibre The View From The Train: Cities And Other Landscapes de Patrick Keiller pertany a la matèria
Veure altres ressenyes de Cinema
Ressenya
Walt Curtis
Mala noche y otras aventuras ilegales
Escrito con sangre, semen y alcohol, narra en primera persona el vínculo creado con algunos de aquellos jóvenes mexicanos que llegaban a la ciudad buscando una nueva vida y, para los cuales, el poe...

Ressenya
AA. VV.
El cuento de la criada. Ensayos para una incursión en la república de Gilead
Si existe una obra que haya marcado la literatura distópica en los últimos años es El cuento de la criada, escrita por Margaret Atwood en 1985. Gracias a su éxito literario, la historia fu...

Ressenya
Santos Zunzunegui
Bajo el signo de la melancolía
A través del análisis de determinados motivos melancólicos, el autor demuestra que el dispositivo cinematógrafo se encuentra «bajo el signo de Saturno».
